Apple App Store Bans Pulitzer-Winning Satirist for Satire
April 16th, 2010Via: Wired:
Editorial cartoonist Mark Fiore may be good enough to win this year’s Pulitzer Prize, but he’s evidently too biting to get past the auditors who run Apple’s iPhone app store, who ruled that lampooning public figures violated its terms of service.
Fiore irked Apple’s censorious staffers with his cartoons making fun of the Balloon Boy hoax and the pair that famously crashed a White House party, according to Laura McGann at the Neiman Journalism Lab.
Fiore won a Pulitzer Monday for animations he made for the SFGate, the online home of the San Francisco Chronicle. But Fiore, who is a freelancer who runs a syndication business, was rejected by Apple in December for an app called NewToons that features his work.
According to a Dec. 21 e-mail reprinted by Neiman, Apple rejected his app because it “contains content that ridicules public figures and is in violation of Section 3.3.14 from the iPhone Developer Program License Agreement which states: Applications may be rejected if they contain content or materials of any kind (text, graphics, images, photographs, sounds, etc.) that in Apple’s reasonable judgment may be found objectionable, for example, materials that may be considered obscene, pornographic, or defamatory.”
Neither Fiore nor Apple responded to requests for comment.
The news of the rejection comes not long after Apple decided to purge its App store of content that included nudity, a retroactive ban that included apps from respected German publications such as Bild and Der Spiegel.
Fiore’s rejection may be especially disconcerting to news and media organizations, many of which are betting heavily on iPad apps as a way to get users to pay to read magazines and newspapers, and to get advertisers to pay print-ad prices for online content. (Online ads cost a small percentage of what ads in glossy magazines cost, in no small part because the net has almost infinite advertising space.)
Apple has built a little slab of Disneyland with its iPad, which is meant to be an experience unsullied by provocative or crude material. It’s beautiful and enticing — the company has already sold more than a half million of them in the first two weeks it’s been available — but it’s not the real world.
